Style, Tone, & Mood in Landlady

air, flavour, AND MOOD IN LANDLADY Prose 1 Arief Febriyanto63708028 Moch Fajar Akbar63708014 Willi Adjie63706897 ENGLISH DEPARTMENT FACULTY OF LETTERS INDONESIA UNIVERSITY OF COMPUTER 2011 STYLE, beef up, AND MOOD 1. STYLE panache is the affair of literary dev codswallops, t unrivalled, and mood in a detail sort that makes authors writing recognizable. In another word, the musical mode of writing is the zeal of author who writes it. The authors style give the sack be recognized by the following comp iodinents Personal word prime(a) or vocabulary Types of sentences Point of guess from which the school textual matter is told Organization of the text To analyze an author style, we need to consider the point of view, formal or informal writing, structure of text, level of complexity in the writing, and overall intent. By using these features in writing, different meaning of the content be shown to the audience. Categories of Style Formal Style The following are more or less characters of formal style Vocabulary high-level business- manage Organization of text very structured perhaps with subtopics Audience usually 3rd-omnisicient point of view Sentences structure varies (simple sentence/ mixed sentence/complex sentence) Informal Style The following are some characters of informal style Vocabulary low-level perhaps slang chat style Organization of text more so narrative or note-like Audience usually mortalal (more first or third-limited point of view) Sentences largely simple or compound sentences Organization of Text Writing is nonionised in various ways, depending upon the authors target to inform, to entertain, to express a belief or opinion, and to persuade.Text usually falls within one of these types of organizational patterns Cause Effect Problem Solution Chronological (sequencing the ball club of events) Compare/Contrast Inductive (specific to general) Deductive (general to specific) Division into categories Rank ing 2. banknote subtlety is the authors attitude toward the writing (his characters, the situation) and the readers. A feed of writing can have more than one tone. An example of tone could be both serious and humorous. Tone is set by the setting, choice of vocabulary and other details.Identifying the tone is all about knowing the definitions of m any a(prenominal) descriptive vocabulary words. In literature an author sets the tone by means of words. The possible tones are as boundless as the number of possible emotions a human being can have. Has anyone ever said to you, Dont use that tone of voice with me? Your tone can change the meaning of what you say. Tone can turn a statement like, Youre a big support into a genuine compliment or a cruel pungent remark. It depends on the context of the recital. 3. MOOD Mood is the general atmosphere created by the authors words.It is the feeling the reader gets from reading those words. It may be the selfsame(prenominal), or it may change from situation to situation. Mood is the emotions that you (the reader) feel fondnesspatch you are reading. Some literature makes you feel sad, others joyful, still others, angry. The main purpose for some poems is to set a mood. Writers use many devices to create mood, including images, dialogue, setting, and plot. oftentimes a writer creates a mood at the beginning of the figment and continues it to the end. However, sometimes the mood changes because of the plot or changes in characters.Examples of moods include suspenseful, joyful, depressing, excited, anxious, angry, sad, tense, lonely, fly-by-night, frightened, disgusted, and so on STYLE, TONE, AND MOOD OF LANDLADY 1. STYLE OF LANDLADY Informal style is applied in the short-change story Landlady. The style can be recognized by these components down the stairs Personal word choice or vocabulary The short story Landlady uses low level vocabulary many dialogues. Example .. he got to Bath.. , only if the air was devilish cold, and Well, you happen upon. Types of sentencesTypes of sentences used in Landlady mostly are simple and compound sentences Example Billy was seventeen historic period old. He was wearing a new navy blue overcoat, a new brown trilby hat, and a new brown suit, and he was feeling fine. Point of view The short story Landlady uses third person limited point of view. This use is to hide the intention of the landlady character which is to fine-tune Billy Weaver character. For comparison, if the author uses the first person point of view so that the intention will reveal since the beginning of the story. Organization of the text Narrative style is used in the short story Landlady. 2. TONE OF LANDLADY Some tones that are in the short story Landlady are as the following ? nine oclock in the evening and the moon was coming up out of a clear starry sky. But the air was deadly cold and the wind was like a flat blade of ice on his cheeks. shows a sinister tone. ? even in the darkness, he could hold in that the paint was peeling from the wood piss on their doors and windows, and that the handsome white facades were barmy and blotchy from neglect. shows a scary tone. He had neer stayed in any boarding houses, and, to be perfectly honest, he was a tiny catch frightened of them. shows a fear tone. ? grapple AND BREAKFAST, it said. BED AND BREAKFAST, BED AND BREAKFAST, BED AND BREAKFAST. Each word was like a large black eye staring at him through the glass, holding him compelling him. shows a scotch or weird tone. ? she gave him a warm welcoming smile. shows a prissy tone. ? She check up onmed terribly nice. She looked exactly like the mother of ones best school-friend welcoming one into the house to stay for the Christmas holidays. shows a gracious tone. 3. MOOD OF LANDLADY There are two moods created in the short story Landlady suspicious and surprising. Here are some parts of the story that take to the woods us to feel suspicious I was wond ering about a room. Its all ready for you, my dear, she said. I shouldve thought youd be simply swamped with applicants, he said politely. Oh, I am, my dear, I am, of course I am. But the trouble is that Im inclined to be reasonable a teeny weeny bit choosy and particular if you see what I mean. But Im invariably ready.Everything is always ready day and night in this house just on the off? chance that an acceptable young gentleman will get along with along. And it is such a fun, my dear, such a very great pleasure when now and again I open the door and I see someone standing there who is just exactly right. She was half? way up the stairs, and she paused with one hand on the stair? rail, turning her transport and smiling down at him with pale lips. Like you, she added, and her blue eyeball travelled slowly all the way down the length of Billys body, to his feet, and thence up again. Well, you see ? oth of these names, Mulholland and Temple, I not only seem to imagine eac h one of them separately, so to speak, but somehow or other, in some anomalous way, they both appear to be sort of attached together as well. As though they were both famous for the same sort of thing, if you see what I mean ? like . . . well . . . like Dempsey and Tunney, for example, or Churchill and Roosevelt. How amusing, she said. Now and again, he caught a whiff of a peculiar smell that seemed to emanate directly from her person. It was not in the least unpleasant, and it reminded him ? ell, he wasnt quite sure what it reminded him of. Pickled walnuts? New leather? Or was it the corridors of a hospital? Here are some parts of the story that lead us to feel surprising But my dear boy, he never left. Hes still here. Mr Temple is also here. Theyre on the third floor, both of them together. warrant my asking, but havent there been any other guests here accept them in the last two or three years? No, my dear, she said. Only you. TONE the way feelings are expressed MOOD ( sometimes called atmosphere) the overall feeling of the work